This means the programming done to the PART when it was a Single Part Performance is merged to this new location. When this Single PART Performance is merged with our existing four PART Performance, it will join it by occupying PART 5, and it will bring along the Insertion A/B Effects and the Control Assignments for the PART exactly as they were originally programmed in the Single Part. This is the basic B3 (Tone Wheel) organ sound with the (new) Rotary Speaker 2 (MW ‘Clean and Wide’). Remember, when you have a fully loaded MONTAGE, you can have hundreds and hundreds of Performances onboard (5700+ User and Library Performances and currently over 2100 factory). Touch/Set the “Attribute” = Single (green denotes Single Part programs)īy refining the search in this manner, I can try out different sounds that meet my requirements.In this instance I added a single PART, as follows: This is a special variation of the CATEGORY SEARCH function which allows you to place existing data into available empty Performance slots starting with the PART where you touched the “+”. ![]() When you ADD (“+”) a new PART in this fashion, the MONTAGE automatically opens the “Part5 – Performance Merge” Search screen (shown below). The steps in doing this – From the HOME screen of “Smooth It Over 4”, we touched the “+” in PART 5 to *ADD* a new PART. The Download Performances with this article contains “Smooth It Over 5” – now a quintet, we have added a B3 organ sound to the previous article’s “Smooth It Over 4”. In this article, we’ll be expanding on the MOTIF XF Performance data. Let’s take a look at the impact of adding additional PARTs to an existing Performance. ![]() We know that the original MOTIF XF Performances were four PARTS, with just two Assignable Knobs per PART and no COMMON Assign Knobs it had just six Control Sets per PART… We’ve been exploring the possibilities using this data to build upon.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |